Pemberley (Lyme Park, Cheshire)

Pemberley (Lyme Park, Cheshire)
Oh, to be in England...
Showing posts with label Reese Witherspoon. Show all posts
Showing posts with label Reese Witherspoon. Show all posts

Friday, June 3, 2011

The Importance of Being Earnest 2002-Oscar Wilde and Colin Firth!

The Importance of Being Earnest 2002
Well, as I continue my happy journey through the favorites of my DVD collection, The Importance of Being Earnest jumped into my hands. There are times when you need something funny, light, gorgeous to look at and with just a hint of biting satire for tang and this one really fits the bill.

Frances O'Connor, Colin Firth, Rupert Everett and Reese Witherspoon in The Importance of Being Earnest
Arguably Oscar Wilde's greatest play, The Importance of Being Earnest, A Trivial Comedy for Serious People is mostly romping farce but has, of course, some social commentary at it's core. This makes it perfect for the screen and director Oliver Parker does a wonderful job adapting it. Visually stunning and with a musical score which helps the romping pace of this film, you will laugh and totally lose yourself. The story centres on the two couples above, Frances O'Connor is luminous and Colin Firth even gets to sing in this. He has a rather funny reedy little voice, which you have likely heard in Mama Mia but here he gets to accompany himself on a ukulele which again adds some comedy (or was it a guitar?-oh, goody, I have to watch it again!).

Rupert Everett and Colin Firth in The Importance of Being Earnest
Rupert Everett and Colin Firth have worked together before, very early in their careers in  Another Country from 1984 and you can tell that they enjoy each other's company. As friends (or are they brothers?) the banter is as wonderful as those suits they are wearing.

Reese Witherspoon and Rupert Everett in The Importance of Being Earnest
Reese Witherspoon shows that she is not just another pretty face by holding her own amongst these greats of the British screen. She is refreshing and sweet and really gets the joke.

Rupert Everett, Judi Dench and Reese Witherspoon in The Importance of Being Earnest
Judi Dench is just the icing on the cake as Lady Bracknell, whipping off the wonderful lines like the pro she is.

Lady Bracknell: To lose one parent, Mr. Worthing, may be regarded as a misfortune. To lose both looks like carelessness. ***********************************************************************************
Jack: I don't actually know who I am by birth. I was... well, I was found.
Lady Bracknell: Found?
Jack: Yes. The late Mr. Thomas Cardew, an old gentlemen of a kindly disposition found me and gave me the name of Worthing because he happened to have a first class ticket to Worthing at the time. Worthing is a place in Sussex. It's a seaside resort.
Lady Bracknell: And where did this charitable gentlemen with the first class ticket to the seaside resort find you?
Jack: In a handbag.
Lady Bracknell: [closes eyes briefly] A handbag?
Jack: Yes, Lady Bracknell, I was in a hand bag. A somewhat large... black... leather handbag with handles... to it.
[pause]
Lady Bracknell: An ordinary handbag.
Lady Bracknell: And where did this Mr. James... or, Thomas Cardew come across this ordinary handbag?
Jack: The cloak room at Victoria Station. It was given to him in mistake for his own...
Lady Bracknell: [Shocked] The cloak room at Victoria Station?
Jack: Yes. The Brighton line.
Lady Bracknell: The line is immaterial.
[begins tearing up notes]
Lady Bracknell: Mr. Worthing. I must confess that I feel somewhat bewildered by what you have just told me. To be born, or at any rate bred in a handbag, whether it have handles or not, seems to me to display a contempt for the ordinary decencies of family life which reminds one of the worst excesses of the French revolution, and I presume you know what that unfortunate movement led to?
***********************************************************************************
So again, if you haven't seen this one, it is an easy recommendation for me to make. If you have seen it, then you may want to pull it out for another viewing as I have done quite happily.

Enjoy the weekend my friends and I hope this made you smile!!!

Tuesday, May 24, 2011

Vanity Fair - Film vs Miniseries

Vanity Fair BBC miniseries 1998 wins!
OK, I have given it away right here at the beginning...the 1998 BBC miniseries with Natasha Little, Nathaniel Parker and Philip Glenister is hands down the winner. I am betting that although many of you likely saw the 2004 film version with Reese Witherspoon, not many of you likely saw my winner (or read the amazing novel by William Makepeace Thackaray). I never would have read the novel if it hadn't been for the miniseries with the screenplay written by my hero, Andrew Davies, and with the captivating and mesmerizing Natasha Little in the title role. Mira Nair and Reese Witherspoon did their level best, but no contest between these two versions.
Natasha Little as Becky Sharp and Frances Grey as Amelia Sedley in Vanity Fair
Natasha Little does a fantastic job of playing the woman that other women love to hate, Becky Sharp. She is gorgeous, charming, cunning and ruthlessly manipulative, which is what she needs to be to climb that difficult social ladder in 19th century London. Frances Grey is also great as the unbelievably sweet and incredibly doting Amelia. They are both exactly as they should be.
Nathaniel Parker as Rawdon Crawley in Vanity Fair
Nathaniel Parker is spot on as Becky's husband the empty headed Calvary Officer Rawdon Crawley but the one you'll really fall for in this version is Philip Glenister as Dobbin.
Philip Glenister as William Dobbin in Vanity Fair
Philip Glenister will steal your heart as the tall, ungainly and supposedly plain William Dobbin, who is loyal to George Osborne and in love with Amelia Sedley until the bitter end. Stupid, stupid Amelia. You'll want to shake her little blond head and then run off with Dobbin yourself!!!!

Vanity Fair 2004 with Reese Witherspoon
The 2004 film version directed by Mira Nair is ambitious to try to cram this wonderful novel into 141 minutes. Well....good try, but not quite. Too much plot to condense and it loses something in the process.  Not surprisingly, Mira Nair gives her version an exotic, Indian twist, which is fair enough considering that the character of Jos Sedley as a successful Nabob in India was likely part of the draw for her.  It is gorgeously filmed and a feast for the eyes, which is probably enough to get me to watch it again if only for the costumes and locations.
James Purefoy as Rawdon Crawley and Reese Witherspoon as Becky Sharp in Vanity Fair

I will say that James Purefoy is quite sufficiently yummy as Captain Crawley.  Mmmm, mmmm, good. Unfortunately Reese Witherspoon is a bit too likeable to really pull of the anti-heroine Becky Sharp. She is quite beautiful enough and nails the alluring, intelligent, talented part of her personality. She just doesn't make me buy the amoral, manipulative, insincere part which is really the entire point of the story.
Romola Garai as Amelia  Sedley and Rhys Ifans as William Dobbin in Vanity Fair
Romola Garai who I usually love, does her best here but has to work fast to develop her character. And although he may have done a good job here, to me Rhys Ifans will forever be the goofy roommate Spike from Notting Hill running around in his underwear.
Jonathan Rhys Meyers, Rhys Ifans and James Purefoy in Vanity Fair
I didn't really like Jonathan Rhys Meyers portrayal of the selfish, vain George Sedley, although maybe he played it so well that I just hated the character. Or maybe I just hated the fact that he had too much 20th century hair gel going on????

In any case, if you haven't seen the 1998 BBC miniseries then you are in for a treat. And if you, like me, bought the Reese Witherspoon version, watch it again for the visual feast. And if you are tempted to read the novel, I believe it is one of the best novels I have ever read, even if it doesn't end as happily as one might like.

By the way, thanks to Charleybrown from Enchanted Serenity of Period Films for her wonderful lists of Georgian, Regency, Victorian and Edwardian films which have reminded me of many I want to see again, and many I have yet to see.

P.S. The music score of the 1998 Natasha Little version IS a travesty. Please try to ignore it and enjoy the acting. It's really in need of re-scoring but I'm sure it would be too expensive.

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